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I hear many FM stations do something like this, which allows them to sound slightly louder.
.... hoping to win the loudness war !!!
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I should add though (again) that I'm not convinced that this is an improvement either.
Me too.
Sorry Hans, I understand that you want to improve things to the max (everything what technical is possible).
And I understand too, that the focus is on web or FM broadcasters, because this is the target market (to get some money back for all your work).
But for me (I do not broadcast, I am musician) there is a lack of real high fidelity presets in Stereo Tool.
Many of the presets sound more or less good as long as you use low or medium listening volume.
But when you turn the volume up (really loud) and then do comparisons to high quality audio productions, most presets have a high frequency overshoot.
Hurting my ears.
Maybe it is my problem, because I use high quality amplifier and boxes or headphones !?
So, the only way to listen to (using one of the presets that comes with Stereo Tool) is to do it on a low or low medium volume.
Perfect as background music, but not for a real world (loud) listening experience.
And here the circle is closing, because this is the same problem as with most radio stations (FM, web, DVB, whatever) today.
So from this perspective (challenging FM and web broadcasting market and the loudness expected today) you are on the right way with Stereo Tool.
When I will have more time I will create (with a little bit of documentation of the what and why) some high fidelity presets for Stereo Tool.
I already have some "beta" presets.
But, yes it is possible to tweak Stereo Tool in a way to match high audio quality.
Maybe these presets will be strange on first glance, because the usage of the Stereo Tool modules differs from standard usage.
My target is (and it seems as if I am already there or or at least very close) that the processing should only enhances (and noticeable compress) the music that really needs enhancement and compression.
But high quality tracks (already perfect mastered audio from CD) should pass the whole processing without any noticeable change (without this extra compression and high frequency boost).
I know in theory it is imore or less impossible (processing will happen).
But the target is that you cannot hear the processing for this HQ tracks, because the whole processing chain is tweaked in a way, that the audible impact will be very little (a zero sum game for the ears

).
Conclusion:
Stereo Tool is already a very mighty processing tool (to do things to audio, you otherwise have to pay thousands of dollars for a bunch of pro audio plugins) when you finally learned how all these modules interact.
So with a better up to date documentation (including block diagrams) it would be perfect.