This is now maybe a stupid question

:
colliding itself, in some ways, the two new filters "absolute highs" and "spectral hole filler"? when the "spectral hole filler" before the "absolute highs" filter comes, pitches have already been completed, and there then followed quite a raspy sound when the other filter also supplemented what. The "spectral hole filler" is definitely in mp3 and voices very practical. But you should be able to define the areas in which it operates. that means for me that this was supposed to work in the mainly lower pitches, since there are plenty of holes to stuff. For "absolute highs" itself completes the pitches in music better. the "spectral hole filler" itself is in voice recordings much better. which of the filter has now eminence, and under what conditions? Hans, could you please perhaps briefly outline how the two filters work together? Maybe I anything just overlooked, if so I am sorry.
